Karin Sander 1957-2057 er yfirgripsmikil sýning á verkum þýsku listakonunnar Karin Sander, sem hefur ræktað tengsl við Ísland allt frá fyrstu heimsókn fyrir þrjátíu árum.  

Mörg verka listakonunnar eru innblásin af náttúru landsins, menningu og samfélagi. Á sýningunni er fjallað um staðarvitund í landfræðilegum, líkamlegum og huglægum skilningi. Sýningargestum er boðið að láta skanna sig og prenta af sér smástyttu og auðir strigar á víðavangi safna áferð um mismunandi aðstæður.  

Í kjölfar leiðsagnarinnar verður farið á Ilmheim Listahátíðar, sýningu eftir Fischersund, í Gróðurhúsinu á Lækjartorgi.

Karin Sander: 1957–2057 is a comprehensive exhibition of works by German artist Karin Sander, who has maintained connections with Iceland since her first visit thirty years ago.  

Many of the artist’s works are inspired by the country’s nature, culture, and society. The exhibition explores the concept of place awareness in geographical, physical, and conceptual terms. Visitors are invited to have themselves scanned and printed as a small 3D-printed figurine, and blank canvases gather textures under different conditions.  

Following the tour, visitors will head to Fragrance of Reykjavík Arts Festival, an installation by Fischersund, located in the Greenhouse at Lækjartorg.

Bryn Nóel Francis, a sign language specialist and art historian, will lead a guided tour in Icelandic Sign Language of Karin Sanders exhibition: 1957–2057 in Hafnarhús, Sunday, June 14 at 2:00 PM.

Guided Tour in Icelandic Sign Language | Karin Sander: 1957–2057

Bryn Nóel Francis, táknmáls- og listfræðingur  verður með leiðsögn á íslensku táknmáli um sýningu Karin Sander: 1957–2057 í Hafnarhúsi, sunnudag 14. júní kl. 14.00.

Leiðsögn á íslensku táknmáli | Karin Sander: 1957–2057

Leiðsögn

Sýning

Börnin nema land, upplifa sögu og náttúru eyjarinnar í gegnum skapandi og listrænt starf innan- og utandyra. Þau fá að kynnast gamla skólahúsinu í Viðey sem var hluti af þorpinu sem hvarf. Í skólahúsinu er sérlega góð aðstaða til tilrauna og rannsókna á gersemum náttúru eyjunnar sem verða notaðar sem efniviður í myndlistarsköpun og leiki. Börnin fá einnig að kynnast umhverfislistaverkum Richards Serra og Yoko Ono í návígi og skapa sín eigin verk í náttúrunni. Unnið verður sérstaklega með friðarupplifun í gegnum listir, leiki, markvissa útiveru og hreyfingu.  

Markmið námskeiðsins er að hver og einn þátttakandi fái að njóta sín á eigin forsendum undir handleiðslu fagfólks. Leitast verður við að skapa vingjarnlegt umhverfi fyrir börnin án snjalltækja, þar sem þau munu njóta sín í hópi jafningja.  

Kennarar á námskeiðinu er þau Guðmundur Lúðvík Þorvaldsson og Perla Hafþórsdóttir.
Fjöldi barna er takmarkaður á námskeiðinu, að lágmarki 12 börn og að hámarki 15 börn.  

Þrjú námskeið eru í boði og er hvert þeirra fjórir dagar:  

námskeið – 15. 06-19. 06 (mið. 17. júní er frídagur)  
námskeið – 22.06 – 25.06  
námskeið – 29.06 – 02.07  

Verð: 37.000 kr.  

Skráning fer fram á Abler

Children explore the land and experience the history and nature of the island through creative and artistic activities, both indoors and outdoors. They get to know the old schoolhouse in Viðey, which was once part of a village that has since disappeared. The schoolhouse offers excellent facilities for experimentation and research on the island’s natural treasures, which will be used as materials for visual art projects and play.
The children will also experience the environmental artworks of Richard Serra and Yoko Ono up close and create their own works in nature. Special emphasis will be placed on experiencing peace through art, play, purposeful outdoor activities, and movement.  

The goal of the course is for each participant to thrive on their own terms under the guidance of professional instructors. Efforts will be made to create a friendly, device-free environment where children can enjoy themselves alongside their peers.  

The instructors for the course are Guðmundur Lúðvík Þorvaldsson and Perla Hafþórsdóttir.
The number of participants is limited, with a minimum of 12 children and a maximum of 15.  

Three courses are offered, each lasting four days:  

Course 1: 15 June – 19 June (Wednesday, 17 June, is a public holiday)  
Course 2: 22 June – 25 June  
Course 3: 29 June – 2 July  

Price: ISK 37,000  

Registration will take place on Abler.

VIÐEY FRIÐEY is an exciting week‑long summer program for children aged 7–9 (born in 2017 - 2019), taking place in June in the peaceful natural gem of Viðey.
The course is a collaboration between the Reykjavík Art Museum and the City History Museum.

Summer Course in Viðey – VIÐEY FRIÐEY

VIÐEY FRIÐEY er spennandi vikunámskeið fyrir 7-9 ára börn (fædd 2017 - 2019) sem fer fram í júní í hinni friðsælu náttúruperlu Viðey.
Námskeiðið er unnið í samstarfi Listasafns Reykjavíkur og Borgarsögusafns

Sumarnámskeið í Viðey – VIÐEY FRIÐEY

Fræðsla

Hver er myndin af Reykjavík, fyrr og nú? Hvaða augum líta listamenn borgina og hvaða einkenni hennar eru dregin fram í myndmáli ólíkra kynslóða? Og hvernig hjálpar list okkur að sjá hið kunnuglega í nýju ljósi?

Sýningarstjórar eru Markús Þór Andrésson,  Sigurður Trausti Traustason og Sunna Ástþórsdóttir.

What is the image of Reykjavík, past and present? Through what lens do artists view the city, and which of its features are highlighted in the visual language of different generations? And how does art help us see the familiar in a new light?

Curators: Markús Þór Andrésson,  Sigurður Trausti Traustason and Sunna Ástþórsdóttir.

Welcome to the opening of the exhbition at Kjarvalsstaðir, Saturday 20 June at 15h00.
On the occasion of Reykjavík’s 240th anniversary in 2026, the city’s appearance throughout history is examined in a summer exhibition at Kjarvalsstaðir.

The Mayor of Reykjavík, Hildur Bjarnadóttir, will open the exhibition.

Big Little City – Images of Reykjavík

Verið velkomin að vera við opnun sýningarinnar á Kjarvalsstöðum, laugardag 20. júní kl. 15.00
Í tilefni 240 ára afmælis Reykjavíkur árið 2026 er ásýnd borgarinnar í gegnum tíðina tekin til skoðunar á sumarsýningu á Kjarvalsstöðum.

Borgarstjórinn í Reykjavík, Hildur Bjarnadóttir, opnar sýninguna.

Opnun: Smáborg, háborg - Reykjavík í mynd

Opnun

Áhersla er lögð á tvívíða myndlist, þar sem unnið verður meðal annars með teikningu, grafík og málun. Börnin fá að skapa inni í sýningarsölum safnsins og sækja innblástur í listaverkin sem þar eru til sýnis, undir leiðsögn listamanns.  

Í góðu veðri verður hluti námskeiðsins haldinn utandyra þar sem Klambratún og svæðið í kringum safnið verða nýtt til leikja og skapandi verkefna. Unnið verður í litlum hópum svo hver þátttakandi fái svigrúm til að þróa eigin hugmyndir og vinna frjálst að sinni listsköpun.  

Kennsla fer fram frá 9:00-12:00. Tekið er á móti nemendum frá 8:30.  

Kennari á námskeiðinu er Hlökk Þrastardóttir.  

Tvö námskeið eru í boði:  

22. júní -25.júní. Kl 9:00-12:00.  

29.júní -2.júlí. Kl 9:00-12:00.  

Skráning fer fram á Abler

The emphasis is on two-dimensional visual art, with participants working, among other things, with drawing, printmaking, and painting. The children will have the opportunity to create artworks inside the museum’s exhibition galleries and draw inspiration from the artworks on display, under the guidance of a professional artist.  

In good weather, part of the course will take place outdoors, using Klambratún park and the area surrounding the museum for games and creative projects. The course will be taught in small groups to ensure that each participant has the space to develop their own ideas and work freely on their artistic expression.  

Teaching takes place from 9:00–12:00. Children are welcomed from 8:30.  

The course instructor is Hlökk Þrastardóttir.  

Two courses are available:  

22 June – 25 June, 9:00–12:00  
29 June – 2 July, 9:00–12:00  

Registration will take place via Abler.

A four-day visual arts course is offered at Kjarvalsstadir for children aged 10–12. During the course, participants will have the opportunity to explore a wide range of materials and techniques in creative work, in the beautiful surroundings of the museum.

Visual Arts Course at Kjarvalsstadir for Children Aged 10–12

Boðið er upp á fjögurra daga myndlistarnámskeið á Kjarvalsstöðum fyrir börn á aldrinum 10–12 ára. Á námskeiðinu fá þátttakendur tækifæri til að kynnast fjölbreyttum efnivið og aðferðum í skapandi starfi í fallegu umhverfi safnsins.

Myndlistarnámskeið á Kjarvalsstöðum fyrir 10–12 ára

Börnin nema land, upplifa sögu og náttúru eyjarinnar í gegnum skapandi og listrænt starf innan- og utandyra. Þau fá að kynnast gamla skólahúsinu í Viðey sem var hluti af þorpinu sem hvarf. Í skólahúsinu er sérlega góð aðstaða til tilrauna og rannsókna á gersemum náttúru eyjunnar sem verða notaðar sem efniviður í myndlistarsköpun og leiki. Börnin fá einnig að kynnast umhverfislistaverkum Richards Serra og Yoko Ono í návígi og skapa sín eigin verk í náttúrunni. Unnið verður sérstaklega með friðarupplifun í gegnum listir, leiki, markvissa útiveru og hreyfingu.  

Markmið námskeiðsins er að hver og einn þátttakandi fái að njóta sín á eigin forsendum undir handleiðslu fagfólks. Leitast verður við að skapa vingjarnlegt umhverfi fyrir börnin án snjalltækja, þar sem þau munu njóta sín í hópi jafningja.  

Kennarar á námskeiðinu er þau Guðmundur Lúðvík Þorvaldsson og Perla Hafþórsdóttir.
Fjöldi barna er takmarkaður á námskeiðinu, að lágmarki 12 börn og að hámarki 15 börn.  

Þrjú námskeið eru í boði og er hvert þeirra fjórir dagar:  

námskeið – 15. 06-19.06 (mið. 17. júní er frídagur)  
námskeið – 22.06 – 25.06  
námskeið – 29.06 – 02.07  

Verð: 37.000 kr.  

Skráning fer fram á Abler

VIÐEY FRIÐEY is an exciting week‑long summer program for children aged 7–9 (born in 2017 - 2019), taking place in June in the peaceful natural gem of Viðey.

VIÐEY FRIÐEY er spennandi vikunámskeið fyrir 7-9 ára börn (fædd 2017 - 2019) sem fer fram í júní í hinni friðsælu náttúruperlu Viðey.

Áhersla er lögð á tvívíða myndlist, þar sem unnið verður meðal annars með teikningu, grafík og málun. Börnin fá að skapa inni í sýningarsölum safnsins og sækja innblástur í listaverkin sem þar eru til sýnis, undir leiðsögn listamanns.  

Í góðu veðri verður hluti námskeiðsins haldinn utandyra þar sem Klambratún og svæðið í kringum safnið verða nýtt til leikja og skapandi verkefna. Unnið verður í litlum hópum svo hver þátttakandi fái svigrúm til að þróa eigin hugmyndir og vinna frjálst að sinni listsköpun.  

Kennsla fer fram frá 9:00-12:00. Tekið er á móti nemendum frá 8:30.  

Kennari á námskeiðinu er Hlökk Þrastardóttir.  

Tvö námskeið eru í boði:  

22. júní -25. júní. Kl 9:00-12:00.  

29.júní -2.júlí. Kl 9:00-12:00.  

Skráning fer fram á Abler

Karin Sander

Hafnarhús

Karin Sander is a well known German artist who lives and works in Berlin, but over the past thirty years she has spent considerable time in Iceland and used the country as a subject in many of her works. This comprehensive exhibition, which is part of the Reykjavík Arts Festival, features pieces spanning the artist’s entire career and offers insight into the work of an international conceptual artist who engages with our environment and existence in unexpected and impactful ways.

In the exhibition, everyday life becomes new and unexpected, we ourselves become different and part of Karin Sander’s body of work.

Karin is known for revealing new dimensions of reality with minimal intervention. Many of her works rely on the participation of exhibition visitors or the influence of the surrounding environment, and her subtle interventions into the museum space invite reflection on the place itself—its purpose and its nature. The exhibition Karin Sander 1957–2057 explores notions of site-specificity in geographical, physical, and conceptual terms. Visitors are invited to have themselves scanned and 3D printed as small figurines; blank canvases placed out in the open accumulate surface textures under different conditions and a neon sign positions viewers within Hafnarhús according to Google Earth measurements.  

The exhibition features brand new paintings from the series Patina Paintings—works created by placing untreated canvas in unexpected locations. Over time, the canvases absorb the conditions of their surroundings. Instead of traditional brushwork, these pieces are formed through natural processes of weathering and thus become spontaneous landscape images of the places where they were situated.
The works were created across the country and reflect the artist’s interest in the interplay of material, time, and place. The frames have weathered in all regions of Iceland, and during her stay here last summer, Karin travelled around the country, placing canvases in locations including Arnarfjörður, Kerlingarfjöll, and on the north side of Hafnarhús.  

Karin Sander’s works often rely on the participation of exhibition visitors and on ideas about the influence of time and place on our self image and appearance. One of the exhibition’s most extensive pieces is Visitors 1:8. It is technically complex and develops over the course of the exhibition through the participation of guests.
Three dimensional prints of scanned visitors form an impressive sculpture as the work comes into being before the audience’s eyes. 


Sander studied in Stuttgart and New York and has had a Professorship at Kunsthochschule Berlin Weißensee and ETH Zurich.She represented Switzerland at the 2023 Venice Architecture Biennale together with Philip Ursprung. Karin Sander has received numerous international awards, including a research fellowship from the Whitney Museum in New York, the Rome Prize, and the Villa Romana Prize. Her works are included in public and private collections around the world; in this context, both the Reykjavík Art Museum and the National Gallery of Iceland hold works by her.
Exhibitions of her work have been presented at renowned institutions worldwide, such as Kunstmuseum Winterthur and SFMOMA. Karin is also the creator of notable public artworks, particularly in Germany and Switzerland, and in 2018 she won the competition for a public art installation in Vogabyggð in Reykjavík.   

The exhibition Karin Sander 1957–2057 introduces the artist’s conceptual approach to material and space, and how she surprises us with her innovative treatment of everyday objects, architecture, and digital media.

This exhibition is made possible through the generous support of the Goethe-Institut, the Icelandic Visual Arts Fund, the Museum Fund, i8 Gallery (Reykjavík), and Esther Schipper (Berlin / Paris / Seoul).

Karin Sander: 1957-2057

Erró

The Reykjavik Art Musem houses the most extensive collection of Erró's works and exhibitions from the Erró collection are a regular fixture at the Hafnarhús site of the Reykjavík Art Museum, with the purpose of giving as clear an image as possible of the diverse character of the artist's works.

Erró is one of the few Icelandic artists who has gained a foothold in the international art scene.

This exhibition is a comprehensive overview of the artist's colourful career that has made use of various media in the visual arts. Within it you will find everything from performances, video works, graphics, multiples and collages, to larger works in public spaces and paintings of all scales.

The artist Erró, born Guðmundur Guðmundsson in 1932 in Ólafsvík, West Iceland, was among the most prominent figures of the European avant-garde of the 1960s. In the history of art of that period, his name is associated not only with the renewal of pictorial figuration, due to his invention of narrative collage-paintings, but also with the Happenings movement and experimental cinema. Although his work is often, rightly, attached to artistic groups like Surrealism, Narrative Figuration or Pop art, it cannot be reduced to any one of them.

Erró: Remix - including a selection of Scapes

Jóhannes S. Kjarval

Kjarvalsstaðir

These works extend across the period during which the painter Jóhannes S. Kjarval was active. In examining Kjarval's journey, and comparing it to the works of his contemporaries, it is possible to see the various ways art changes and evolves. The prevailing spirit of each era is reflected in differing shifts in style, and the artworks provide insight into the artists' inspirations, their surroundings and circumstances. Initially, a romantic view of nature predominated, but symbolism soon after made its way into the narrative, and the first steps were taken towards breaking away from naturalistic imagery.

In this exhibition, you can see artworks by Icelandic artists that span approximately six decades following the turn of the 20th century. 

Kjarval was born in 1885 and died in 1972. Between these points in time lies a significant period in cultural history and global society. This was a period of profound social transformation, industrialisation, urban development and technological advancement. Icelandic artists traveled abroad for education, returned home with fresh ideas, and were inspired by the currents and movements they encountered in Europe. In this sense, artists truly are not isolated islands in world history, but rather engage with various circumstances, innovations, revolutions and conflicts through their works.

As contemporary values embedded themselves in Icelandic society, the subjects and methods of artists evolved. Traditional artistic boundaries were shattered, and abstraction found its place. The then present era left its mark on Icelandic society, as is evident in the progress and diversity of artists' creative endeavors, and in the lifelong work of Kjarval.

In 1973, a year following Kjarval's death, Kjarvalsstaðir was inaugurated and named in his honor. Kjarval is one of the most beloved artists of the nation and his works have been exhibited here for half a century. Kjarval‘s works and those of other artists in this exhibition come from the collection of Reykjavik Art Museum, with the exception of Kjarval's famous _Mountain Milk_ (_Fjallamjólk_), one of the artist's most renowned pieces, which is currently on loan from ASÍ Art Museum.

Kjarval and the 20th Century: When Modernity Anchored

Guðrún Kristjánsdóttir

A picture of Guðrún Kristjánsdóttir´s work 

Guðrún has carved out a unique place in Icelandic art with works that explore the relationship between nature and man, shaped by the weather and light in Iceland. She approaches nature as a living force, where stillness and power meet and unexpected beauty emerges in humble moments.

Guðrún Kristjánsdóttir's exhibition in the West Hall of Kjarvalsstaðir brings the vastness of nature closer to us.

Guðrún's work reflects a constant search for balance and captures both the small and the vast in the landscape. In her paintings, nature appears as an ever-changing process where transformation and movement are in constant collaboration. By connecting different materials and methods – videos, light, reflections, rhymes and music – a place and time is created where perception itself becomes part of the work. In recent years, she has worked with materials from the environment – ​​rocks, minerals and coal (surtabrandur) – and created works that carry with them the legacy of geological history. The exhibition spans works from Guðrún's decades-long career and provides a comprehensive picture of the artist's tireless interest in capturing our experience of nature - from tiny drops of water to misty mountain peaks, the blue of the distance and light that changes at every moment. The exhibition connects nature, perception, and time, evoking an experience that is both visual and emotional – a moment to pause and feel connected to the environment.

A short bio of the artist:
Guðrún Kristjánsdóttir was born in 1950 and studied art at the École des Beaux-Arts in Aix-en-Provence, France. She held her first solo exhibition in Kjarvalsstaðir in 1986 and has since exhibited widely, both in Iceland and abroad, including in Europe, the United States and Asia. Guðrún has worked as an artist for over four decades and also as a curator, editor and lecturer. She lives and works in Reykjavík and at Hlöðuberg on Skarðsströnd. The exhibition Traces springs from the book Bláleiðir, which Guðrún wrote together with Oddný Eir Ævarsdóttir and Snæfríð Þorsteinsdóttir, based on the artist's life's work.

Guðrún Kristjánsdóttir: Traces

Ásmundur Sveinsson

Myndhöggvarinn að störfum á vinnustofu sinni.

Ásmundarsafn

Sculptor Ásmundur Sveinsson worked in different materials. He carved wood, cut stone, shaped clay, transferred forms to concrete, in addition to working with iron and found materials. Many of his best-known works are enlarged and placed in public space around the city. His works were created in relentless experimentation in the studio where he allowed material, content and space work hand in hand. The sculptures are either figurative or abstract, as Ásmundur went through various periods in his artistic creation. In the exhibition, we go back in time and into Ásmundur's studio. We get a sense of what happened behind the scenes in the artist's search for the appropriate completion for the ideas that emerged.

 In the exhibition, we go back in time and into Ásmundur's studio.

Wonderland was the name of the next farm to the place in Laugardalur where Ásmundur built his studio, the "dome" in Sigtún. He lived here with his family, built and developed unique facilities for artistic creation. The house was partially rebuilt and opened as an art museum and sculpture garden after Ásmundur's death over 40 years ago. Reykjavík Art Museum's aim ever since has been to show his work in all its variety and to provide a platform for a younger generation of artists to show their own work in the context of his heritage.

Ásmundur Sveinsson (1893–1982) was one of the pioneers of Icelandic sculpture. He studied at the Swedish Academy of Arts in Stockholm, spent several years in Paris and travelled through Greece and Italy. Ásmundur always remained loyal to the position that art had a mission for the people and belonged among them. He was called the folk poet in art, and without a doubt, that ideal is rooted in his attitude to life as much as in the sculptural tradition.

Ásmundur Sveinsson: Wonderland

Sara Riel

Halldór Ásgeirsson

Finnur Arnar Arnarson

Ásta Fanney Sigurðardóttir

Amanda Riffo

Unnar Örn J. Auðarson

The exhibition features a variety of works that bear the marks of experimentation and the creativity that took place while the artists worked in the museum. The project was conceived as a living dialogue between artist, space and viewer — and the remains that are now on display are both traces, memories and new interpretations of what was created.

The exhibition Remnants in  Ásmundarsafn museum presents works by six artists who have stayed in the museum's studio in a special project called Wonderland- work in Progress, which was ongoing during fall-winter of 2025-2026. Ssix artists were given the opportunity to work in close connection with the museum's space, the spirit of Ásmundur Sveinsson and its daily activities.

The exhibition features work by:
Unnar Örn, Ásta Fanney Sigurðardóttir, Amanda Riffo, Halldór Ásgeirsson, Sara Riel and Finnur Arnar Arnarsson. 
The remainder highlights diverse perspectives and working methods, but together the works form a vibrant whole that reflects the artists' time in the museum and opens up new ways of perceiving Ásmundarsafn and its surroundings.


Wonderland: Remnants

Wonderland: Open Workshop offers children, families, and all visitors to the museum the opportunity to take part in a creative process that explores form, materials, and ideas in an open and accessible way.
The studio focuses on the working methods of Ásmundur Sveinsson — how he developed his work through experimentation, repetition, and a close dialogue with materials. Emphasis is placed on simple yet varied materials and a hands-on, craft-based approach, where the process itself is valued more highly than the final outcome.

Be warmly welcomed to Wonderland in Ásmundarsafn – an open studio that places emphasis on togetherness and living creativity, inspired by the methods of Ásmundur Sveinsson.

Four workshops will be offered, open on a rotating basis throughout the period. Each workshop explores different pathways in creative practice and introduces varied approaches to working with materials. Visitors are welcome to come and go as they please, stay for a short time or longer, and participate on their own terms—alone, with others, or in intergenerational settings.
Wonderland: Open Workshop is a platform for curiosity, play, and togetherness. It creates a space where ideas emerge through hands-on making, conversation is allowed to flow freely, and artistic creation becomes alive, open, and shaped by the participants themselves.  

Wonderland: Open Workshop is an independent continuation of the project Wonderland: Work in Progress, in which six artists were invited to relocate their studios to Ásmundarsafn for an extended period of time. That project focused on artistic processes and open dialogue between the artist, the artworks, and visitors. In the Open Workshop, this approach is further developed, with a particular emphasis on the participation of children and families.

New Exhibition Karin Sander: 1957–2057
at Hafnarhús

Exhibitions

Karin Sander: 1957-2057

Karin Sander: 1957-2057

Erró: Remix - including a selection of Scapes

Erró: Remix - including a selection of Scapes

Kjarval and the 20th Century: When Modernity Anchored

Kjarval and the 20th Century: When Modernity Anchored

Guðrún Kristjánsdóttir: Traces

Guðrún Kristjánsdóttir: Traces

Ásmundur Sveinsson: Wonderland

Ásmundur Sveinsson: Wonderland

Wonderland: Remnants

Wonderland: Remnants

Wonderland: Open workshop

Wonderland: Open workshop

Events

Locations

Ásmundarsafn

Hafnarhús

Kjarvalsstaðir

New Exhi­bition Karin Sander: 1957–2057 at Hafn­arhús

Exhibitions

Karin Sander: 1957-2057

Karin Sander: 1957-2057

Erró: Remix - including a selection of Scapes

Erró: Remix - including a selection of Scapes

Kjarval and the 20th Century: When Modernity Anchored

Kjarval and the 20th Century: When Modernity Anchored

Guðrún Kristjánsdóttir: Traces

Guðrún Kristjánsdóttir: Traces

Ásmundur Sveinsson: Wonderland

Ásmundur Sveinsson: Wonderland

Wonderland: Remnants

Wonderland: Remnants

Wonderland: Open workshop

Wonderland: Open workshop

Events

Locations

Ásmundarsafn

Hafnarhús

Kjarvalsstaðir

New Exhibition Karin Sander: 1957–2057
at Hafnarhús