Í vídeóinnsetningunni Silkimjúk fylgjum við konu með óslökkvandi þrá eftir fullkomlega sléttum fótleggjum. Þrá sem breytist í þráhyggju og óútskýrðan ótta við stutt, dökk hár. 

Kristín Helga Ríkharðsdóttir er 53. listamaðurinn til að sýna í D-sal Hafnarhúss þar sem listamönnum sem hafa mótandi áhrif á íslenska myndlistarsenu er boðið að halda sína fyrstu einkasýningu í opinberu safni. 

Plötusnúðar kvöldsins, Volruptus og IN3DjEE, halda uppi stemningunni frá 19.00 og barinn verður opinn. 

Síðasti dagur sýningarinnar er 8. mars. 

Aðgöngumiði á safnið gildir. Frítt fyrir Árskorts- og Menningarkorthafa.

The Smooth Operator is a new video-installation where we follow a woman in pursuit of absolute smoothness of her legs. This gradually develops into an obsession and an unexplained fear of short, dark hairs. 

Kristín Helga Ríkharðsdóttir is the 53rd artist to exhibit in the D Gallery where artists who have shaped the Icelandic art scene are invited to debut their work in their first solo exhibition at a public museum.

DJs Volruptus and IN3DjEE will keep the energy high from 19.00 and the bar will be open.

The last day of the exhibition is the 8th of March.

Admission with museum ticket. Free for Annual pass- and Culture Card holders.

You are warmly invited to the closing event celebrating the final days of Kristín Helga Ríkharðsdóttir’s D53 exhibition: The Smooth Operator at Hafnarhúsið on Thursday, March 5 at 20:00.

Closing Event | Kristín Helga Ríkharðsdóttir: The Smooth Operator

Verið velkomin á lokahóf í tilefni af síðustu dögum D53 sýningar Kristínar Helgu Ríkharðsdóttur: Silkimjúk í Hafnarhúsi fimmtudaginn 5. mars kl. 20.00.

Lokahóf | Kristín Helga Ríkharðsdóttir: Silkimjúk

Sýning

Upplifunin fer fram í sýningu Katrínar Elvarsdóttur, Blómstrandi framtíð og felur í sér blómahugleiðslu, róandi öndun og djúpslökun.  

Á sýningunni beinir Katrín sjónum sínum að plöntum sem hafa ferðast milli heimkynna. Í þessu ljóðræna rými fá þátttakendur tækifæri til að hægja á sér, tengjast skynfærunum og leyfa líkama og huga að kyrrast.  

Verð: 4.900 kr. Innifalið er 50mín jóga og aðgöngumiði í Hafnarhús, Kjarvalsstaði og Ásmundarsafn í sólarhring. 10% afsláttur fyrir árskorthafa Listasafns Reykjavíkur.  

Hámark 20 þátttakendur, skráning er nauðsynleg. Jógadýnur á staðnum.

The experience takes place within Katrín Elvarsdóttir’s exhibition A Botanical Future and includes a flower meditation, calming breathwork, and deep relaxation.  

In the exhibition, Katrín focuses on plants that have traveled between habitats. In this poetic space, participants are invited to slow down, connect with their senses, and allow body and mind to settle.  

Price: 4,900 ISK. Included are 50 minutes of yoga and a 24-hour admission ticket to Hafnarhús, Kjarvalsstaðir, and Ásmundarsafn. A 10% discount is offered for Reykjavík Art Museum annual pass holders.  

Maximum: 20 participants; registration is required. Yoga mats are provided on-site.

The Reykjavík Art Museum and the Icelandic wellbeing brand Swimslow invite guests to a nourishing morning session in Hafnarhús on Saturday, March 7th at 9:00 AM.

Swimslow x Listasafn Reykjavíkur: FlowerYoga

Listasafn Reykjavíkur og íslenska vellíðunarmerkið Swimslow bjóða gestum í nærandi morgunstund í Hafnarhúsi laugardaginn 7. mars kl. 09.00.

Swimslow x Listasafn Reykjavíkur: BlómaJóga

Fræðsla

Finnur Arnar hefur unnið að verkinu frá því í janúar á þessu ári, en hann flutti á safnið, vann að verkinu og tók á móti gestum og gangandi. 

Yfir allt árið 2025 hefur listamönnum verið boðin aðstaða í húsinu til þess að vinna að eigin verkum í vinnslu eða hvers konar ferli og í byrjun árs 2026 reið Finnur Arnar á vaðið sem sjötti listamaðurinn með verk í vinnslu í Ásmundarsafn.

Finnur Arnar Arnarson vinnur oftar en ekki með samband manns og umhverfis í verkum sínum.
Hugmyndum sínum finnur hann form í margskonar miðlum, s.s. skúlptúr, innsetningum og ljósmyndum.

Finnur Arnar has been working on the work since January this year, when he moved to the museum, worked  and welcomed visitors of the museum to his studio.

Throughout 2025, artists have been offered facilities in the building to work on their own works in progress or any kind of process, and at the beginning of 2026, Finnur Arnar moved in as the sixth artist with a work in progress in Ásmundarsafn.

Finnur Arnar Arnarson often works with the relationship between man and the environment in his works.
He finds form for his ideas in a variety of media, such as sculpture, installations and photographs.

All welcome to the exhbition opening in Ásmundarsafn, Saturday 7 March at 15h00.

Finnur Arnar concludes his studio stay at Ásmundarsafn with the opening of the exhibition The Dome, which will run until March 22nd.

Opening  │ Finnur Arnar: Dome

Verið öll velkomin á sýningaropnun í Ásmundarsafni, laugardag 7. mars kl. 15.00. 

Finnur Arnar lýkur vinnustofudvöl sinni í Ásmundarsafni með opnun á sýningunni Dómur  sem mun standa yfir til 22. mars.

Sýningaropnun  │ Finnur Arnar: Dómur

Opnun

Hugo Llanes er listamaður og menningareiðbeinandi sem býr og starfar á Íslandi.

List Hugos byggist á pólitískum og samfélagslegum málefnum og spanna fjölbreytta miðla svo sem innsetningar, gjörninga og málverk. Meðal þema í verkum hans má nefna fólksflutninga, aðlögun, fylgisemd, valdastrúktúr og sjálfsmynd fólks í fyrrverandi nýlendum. Meðal nýlegra sýninga má nefna Your Addiction is the Message! í Gallery 99 – Brno House of Arts í Tékklandi; Los Primxs, gjörningur í samstarfi við Lucky 3 í Local Taller Artist-run í Xalapa, Mexíkó; Gottfariðillailla í Nýlistasafninu, Reykjavík; og Að rekja brot í Gerðarsafni, Kópavogi.

Sýningaröðin í D-sal hóf göngu sína árið 2007. Hér er listamönnum sem hafa mótandi áhrif á íslenska myndlistarsenu boðið að halda sína fyrstu einkasýningu í opinberu safni.

Hugo Llanes is an artist and cultural facilitator based in Reykjavík. 

His œuvre explores political and social issues through artistic research and a wide range of media, including installation, performance, and expanded painting. His work examines themes such as migration and adaptation, belonging, power dynamics, and post-colonial identity. Llanes often incorporates food into his practice, inviting audience participation and engagement.

Recent exhibitions include Your Addiction is the Message! at Gallery 99 – Brno House of Arts in the Czech Republic; Los Primxs, a performance in collaboration with Lucky 3 Collective at Local Taller Artist-run in Xalapa, Mexico; goodgonebadwrong at the Living Art Museum in Iceland; and Tracing Fragments at the Kópavogur Art Museum, Iceland, which was awarded Best Group Show by the Icelandic Art Prize in 2024.

Reykjavik Art Museum ‘s D-Gallery exhibition series started in 2007. Emerging artists, who are shaping the local contemporary art scene, are invited to hold their first solo show in a public museum.

Welcome to the opening of the exhibition D54 Hugo Llanes 12 March at 20h00 in D-gallery of Reykjavík Art Museum - Hafnarhús. 
This is Hugo Llanes'  first solo exhibition in a public museum.

Opening | D54 Hugo Llanes

Velkomin á opnun í D-sal Hafnarhúss, fimmtudagskvöldið 12. mars kl. 20.00. D54 Hugo Llanes er fyrsta einkasýning myndlistarmannsins á opinberu safni.

OPNUN | D54 Hugo Llanes

Fjölmenning

Arnhildur Pálmadóttir arkitekt býður gestum upp á leiðsögn um Hraunmyndanir sem er fyrsta framlag Íslands á arkitektatvíæringinn í Feneyjum 2025.  Höfundar sýningarinnar eru arkitektastofan s. ap arkitektar, þverfagleg rannsóknarstofa með áherslu á tilgátuverkefni framtíðarinnar og er Arnhildur Pálmadóttir eigandi og stofnandi stofunnar.

Architect Arnhildur Pálmadóttir offers visitors a guided tour of Lavaforming, which is Iceland's first contribution to the Venice Architecture Biennale in 2025. The exhibition is created by the architectural firm s. ap arkitektar, an interdisciplinary research studio with a focus on hypothetical projects of the future, and Arnhildur Pálmadóttir is the owner and founder of the firm.

Welcome to a guided tour of the exhibition Lavaforming, Sunday 15 March at 2:00 PM in Hafnarhús. The exhibition tells the story of a future society that has learned to tame lava flows, utilize them, and thus turn a local threat into an opportunity for creativity.

Lavaforming: A talk with architect Arnhildur Pálmadóttir

Velkomin á leiðsögn um sýninguna Hraunmyndanir (e. Lavaforming), sunnudag 15. mars kl. 14.00 í Hafnarhúsi.  Sýningin segir sögu framtíðarsamfélags sem hefur lært að temja hraunflæði, nýta sér það og þannig breytt staðbundinni ógn í tækifæri til sköpunar.

Hraunmyndanir: Leiðsögn með Arnhildi Pálmadóttur

Leiðsögn

Á sýningunni Blómstrandi framtíð beinir Katrín sjónum sínum að plöntum sem hafa ferðast milli heimkynna.

Í verkunum mætast grípandi fegurð og hugleiðingar um uppruna. Hún veltir fyrir sér hvað það þýðir að tilheyra, að festa rætur – vera aðfluttur og samt hluti af heild.  

Fjórar seríur sýningarinnar fjalla um inngrip mannsins í náttúruna: Plöntur eru fluttar á milli staða sem gjafir, sem eign, fyrir forvitnissakir eða í nafni rannsókna og framþróunar. Í forgrunni eru fjórar tegundir; kirsuberjatré, bananatré, fenjagreni og kínversk plastblóm, sem hver um sig býr yfir langri og áhugaverðri sögu sem tengir saman ólíkar heimsálfur.  

Aðgöngumiði á safnið gildir. Frítt fyrir Árskorts- og Menningarkorthafa, frítt fyrir yngri en 18 ára.  

Gestir eru beðnir að skrá sig á viðburðinn: https://forms.office.com/e/kpnAitZHuh

In the exhibition A Botanical Future, Katrín focuses on plants that have traveled between habitats.  

At the forefront are three plant species, cherry blossom, banana plant, and Dawn Redwood each with a long and fascinating history connecting different continents. She follows them with her camera – not to pin them down, but to record them and transform them into another form. In the photograph they belong to another world, created by the artist. They bear witness to something movable, but not forgotten, of what can flourish — even far away from its origins.  

Admission with museum ticket. Free for Annual pass- and Culture Card holders, free for visitors under 18.  

Registration needed for the event: https://forms.office.com/e/kpnAitZHuh

Katrín Elvarsdóttir gives a guided tour of her exhibition A Botanical Future in Hafnarhús, Thursday 19th of March at 20.00.

Artist talk | Katrín Elvarsdóttir: A Botanical Future

Katrín Elvarsdóttir leiðir gesti um sýninguna Blómstrandi framtíð í Hafnarhúsi, fimmtudaginn 19. mars kl. 20.00.

Leiðsögn listamanns | Katrín Elvarsdóttir: Blómstrandi framtíð

Guðrún hefur skapað sér sérstöðu í íslenskri myndlist með verkum sem skoða samband náttúru og manns, mótað af veðri og birtu á Íslandi. Hún nálgast náttúruna sem lifandi afl, þar sem kyrrð og kraftur mætast og óvænt fegurð birtist í hógværum augnablikum.  

Skráning á viðburðinn er nauðsynleg, þáttaka hámarkast við 30 manns.

Vilji árskorthafi taka með sér gest á viðburðinn þarf sá gestur að borga aðgangseyri inn á safnið. Hámark einn gestur á hvern árskorthafa og skrá þarf gestinn á viðburðinn.

Skráning: https://outlook.office.com/book/ListasafnReykjavkurViburir@reykjavik.is/

Guðrún has established a distinctive position within the Icelandic contemporary artscene with works that explore the relationship between nature and humans, shaped by Iceland’s weather and light. She approaches nature as a living force, where stillness and power meet and unexpected beauty emerges in modest moments.  

Registration for the event is necessary, maximum of 30 participants.

Annual pass holders may bring one guest to the event; however, the guest is required to pay the museum admission fee. Please note that the guest must also be registered for the event.

Registration: https://outlook.office.com/book/ListasafnReykjavkurViburir@reykjavik.is/

Curator Sunna Ástþórsdóttir will give a guided tour of the exhibition Guðrún Kristjánsdóttir: Traces for the Reykjavík Art Museum annual pass holders at Kjarvalsstaðir.

Annual pass holders | Guided tour of Guðrún Kristjánsdóttir’s exhibition: Traces

Sýningarstjórinn Sunna Ástþórsdóttir veitir leiðsögn um sýninguna Guðrún Kristjánsdóttir: Leiðir fyrir árskorthafa Listasafns Reykjavíkur á Kjarvalsstöðum.

Áskortshafar | Leiðsögn um sýningu Guðrúnar Kristjánsdóttur: Leiðir

Á foreldramorgnum er boðið upp á sérleiðsagnir um sýningar fyrir foreldra með ungabörn í rólegu umhverfi. Eldri systkini velkomin með. Frábært tækifæri fyrir foreldra og ung börn þeirra til að hittast og eiga rólega stund saman á safninu.  

Leiðsögn í boði frá 10.30 –11.30. 

Á Kjarvalsstöðum er gott pláss fyrir barnavagna, aðstaða með skiptiborði og hljóðlátt rými fyrir brjóstagjöf. Hægt er að kaupa veitingar á Klömbrum bistro.  

Aðgöngumiði á safnið gildir. Frítt fyrir árskortshafa, menningarkortshafa og yngri en 18 ára.

At parent mornings, special guided tours of the exhibitions are offered for parents with infants in a calm and relaxed environment. Older siblings are also welcome. A wonderful opportunity for parents and their young children to meet, spend time together, and enjoy a peaceful moment at the museum.  

Guided tour available from 10:30–11:30.  

Kjarvalsstaðir offers ample space for strollers, facilities with a changing table, and a quiet area for breastfeeding. Refreshments can be purchased at Klambrar Bistro.  

Admission with museum ticket. Free for Annual pass- and Culture Card holders, free for visitors under 18.

Parents with young children are especially welcome to visit Kjarvalsstaðir on the first Tuesday of each month.

Parents’ Morning at Kjarvalsstaðir

Við bjóðum foreldra með ungabörn sérstaklega velkomin á Kjarvalsstaði fyrsta þriðjudag mánaðarins.

Foreldramorgunn á Kjarvalsstöðum

Erró

Hafnarhús

The Reykjavik Art Musem houses the most extensive collection of Erró's works and exhibitions from the Erró collection are a regular fixture at the Hafnarhús site of the Reykjavík Art Museum, with the purpose of giving as clear an image as possible of the diverse character of the artist's works.

Erró is one of the few Icelandic artists who has gained a foothold in the international art scene.

This exhibition is a comprehensive overview of the artist's colourful career that has made use of various media in the visual arts. Within it you will find everything from performances, video works, graphics, multiples and collages, to larger works in public spaces and paintings of all scales.

The artist Erró, born Guðmundur Guðmundsson in 1932 in Ólafsvík, West Iceland, was among the most prominent figures of the European avant-garde of the 1960s. In the history of art of that period, his name is associated not only with the renewal of pictorial figuration, due to his invention of narrative collage-paintings, but also with the Happenings movement and experimental cinema. Although his work is often, rightly, attached to artistic groups like Surrealism, Narrative Figuration or Pop art, it cannot be reduced to any one of them.

Erró: Remix

Kristín Helga Ríkharðsdóttir is the 53rd artist to exhibit in the D Gallery. Here, artists who shaped the Icelandic art scene are invited to debut their work in a solo exhibition at a public museum.

The Smooth Operator is a new video-installation where we follow a woman in pursuit of absolute smoothness of her legs. This gradually develops into an obsession and an unexplained fear of short, dark hairs. The work takes on a form that is both attractive and unsettling. Through absurd humor, hair-like textures, and obsessive attention to feet, beauty rituals acquire an almost supernatural quality, driven by a belief in transformation.

Kristín Helga Ríkharðsdóttir (b. 1993) works across multiple media, translating ideas drawn from her own experiences, stories, and everyday objects into diverse forms. Through painting, photographs, sculpture, video, and sound, she engages with the hyperreality of everyday life and examines the tension between the natural, the man-made, and the staged. Kristín seeks to reflect the world we inhabit, where distinctions between reality and fiction are increasingly blurred.

Kristín Helga Ríkharðsdóttir graduated from the Fine Arts Department of the Iceland University of the Arts in 2016 and participated in an exchange program at the Universität der Künste in Berlin, where she also completed an internship after graduation. In 2019, she moved to New York to pursue an MFA in Studio Art at New York University, completing the program in January 2022.  

Her works have been exhibited widely, both in Iceland and internationally, including at Gerðarsafn, Hafnarborg, The Living Art Museum, Þula Hafnartorg, and 80WSE in New York. In the summer of 2024, she was invited to participate in a studio residency at ISCP in New York through the Icelandic Art Center. Her films have received awards at film festivals, and a music video by her was nominated for the Icelandic Music Awards in 2019.  

She has received numerous grants and recognitions, including a grant and fellowship from the Leifur Eiríksson Foundation (2020–2021), a grant from the Guðmunda Andrésdóttir Fund in 2020, a grant from the Scandinavian Foundation in 2019, and a scholarship for promising students from Landsbankinn in 2021.


D53 Kristín Helga Ríkharðsdóttir: The Smooth Operator

Jóhannes S. Kjarval

Kjarvalsstaðir

These works extend across the period during which the painter Jóhannes S. Kjarval was active. In examining Kjarval's journey, and comparing it to the works of his contemporaries, it is possible to see the various ways art changes and evolves. The prevailing spirit of each era is reflected in differing shifts in style, and the artworks provide insight into the artists' inspirations, their surroundings and circumstances. Initially, a romantic view of nature predominated, but symbolism soon after made its way into the narrative, and the first steps were taken towards breaking away from naturalistic imagery.

In this exhibition, you can see artworks by Icelandic artists that span approximately six decades following the turn of the 20th century. 

Kjarval was born in 1885 and died in 1972. Between these points in time lies a significant period in cultural history and global society. This was a period of profound social transformation, industrialisation, urban development and technological advancement. Icelandic artists traveled abroad for education, returned home with fresh ideas, and were inspired by the currents and movements they encountered in Europe. In this sense, artists truly are not isolated islands in world history, but rather engage with various circumstances, innovations, revolutions and conflicts through their works.

As contemporary values embedded themselves in Icelandic society, the subjects and methods of artists evolved. Traditional artistic boundaries were shattered, and abstraction found its place. The then present era left its mark on Icelandic society, as is evident in the progress and diversity of artists' creative endeavors, and in the lifelong work of Kjarval.

In 1973, a year following Kjarval's death, Kjarvalsstaðir was inaugurated and named in his honor. Kjarval is one of the most beloved artists of the nation and his works have been exhibited here for half a century. Kjarval‘s works and those of other artists in this exhibition come from the collection of Reykjavik Art Museum, with the exception of Kjarval's famous _Mountain Milk_ (_Fjallamjólk_), one of the artist's most renowned pieces, which is currently on loan from ASÍ Art Museum.

Kjarval and the 20th Century: When Modernity Anchored

Ásmundur Sveinsson

Myndhöggvarinn að störfum á vinnustofu sinni.

Ásmundarsafn

Sculptor Ásmundur Sveinsson worked in different materials. He carved wood, cut stone, shaped clay, transferred forms to concrete, in addition to working with iron and found materials. Many of his best-known works are enlarged and placed in public space around the city. His works were created in relentless experimentation in the studio where he allowed material, content and space work hand in hand. The sculptures are either figurative or abstract, as Ásmundur went through various periods in his artistic creation. In the exhibition, we go back in time and into Ásmundur's studio. We get a sense of what happened behind the scenes in the artist's search for the appropriate completion for the ideas that emerged.

 In the exhibition, we go back in time and into Ásmundur's studio.

Wonderland was the name of the next farm to the place in Laugardalur where Ásmundur built his studio, the "dome" in Sigtún. He lived here with his family, built and developed unique facilities for artistic creation. The house was partially rebuilt and opened as an art museum and sculpture garden after Ásmundur's death over 40 years ago. Reykjavík Art Museum's aim ever since has been to show his work in all its variety and to provide a platform for a younger generation of artists to show their own work in the context of his heritage.

Ásmundur Sveinsson (1893–1982) was one of the pioneers of Icelandic sculpture. He studied at the Swedish Academy of Arts in Stockholm, spent several years in Paris and travelled through Greece and Italy. Ásmundur always remained loyal to the position that art had a mission for the people and belonged among them. He was called the folk poet in art, and without a doubt, that ideal is rooted in his attitude to life as much as in the sculptural tradition.

Ásmundur Sveinsson: Wonderland

Katrín Elvarsdóttir

Black and White close up photo of  Fenjagreni by artist Katrínu Elvarsdóttur

At the forefront are three plant species, cherry blossom, banana plant, and Dawn Redwood each with a long and fascinating history connecting different continents. She follows them with her camera – not to pin them down, but to record them and transform them into another form. In the photograph they belong to another world, created by the artist. They bear witness to something movable, but not forgotten, of what can flourish — even far away from its origins.

In A Botanical Future, Katrín focuses on plants that have traveled between habitats. 

Katrín Elvarsdóttir:  A Botanical Future

This project was Iceland's contribution to the 19th International Architecture Exhibition of the Venice Biennale in 2025. The exhibition tells the story of a future society that has learned to tame lava flows, utilize them, and thus turn a local threat into an opportunity for creativity.

Lavaforming is a proposal on how the brutal force of lava can be turned into a valuable resource, capable of lowering atmospheric emissions through its future use as a sustainable building material.

In our story, placed in 2150, we have harnessed the lava flow, just as we did with geothermal energy 200 years earlier in Iceland. The main goal of Lavaforming is to show that architecture can be the force that rethinks and shapes a new future with sustainability, innovation, and creative thinking. A lava flow can contain enough building material for the foundations of an entire city to rise in a matter of weeks without harmful mining and non-renewable energy generation. Lavaforming is exploring a building material that has never been used before. The theme is both a proposal and a metaphor - architecture is in a paradigm shift, many of our current methods have been deemed obsolete or harmful in the long term. In our current predicament - we need to be bold, think in new ways, look at challenges and find the right resources - Arnhildur Pálmadóttir, curator, architect, founder and creative director of Lavaforming. 

Architect Arnhildur Pálmadóttir is the founder and owner of s.ap architects, which specializes in sustainability and circularity in construction, and the curator and the creative director of Lavaforming. She is renowned for her entrepreneurial attitude and interdisciplinary interest that she uses to tackle projects from various perspectives. 

The exhibition team of the Venice Biennale comes from s. ap architects, an interdisciplinary research studio focusing on speculative projects of the future, along with interdisciplinary collaborators. The exhibition team consists of Arnhildur Pálmadóttir, Arnar Skarphéðinsson, Björg Skarphéðinsdóttir, Sukanya Mukherjee, Jack Armitage, and Andri Snær Magnason. The graphic design is handled by the design studio Studio Studio, and Markús Þór Andrésson, Head of Exhibitions and Mediation at the Reykjavík Art Museum, serves as the exhibition's consultant. 


s. ap architects: Lavaforming

Finnur Arnar Arnarson

Black and white photo of artist Finnur Arnar Arnarsson

Svarthvít mynd af Finni Arnari Arnarssyni

He finds form in his ideas in a variety of media, such as sculpture, installations, and photographs.

Finnur Arnar Arnarson often works with the relationship between man and the environment in his works.

Finnur Arnar studied, first in the sculpture department and then in the polytechnic department of the Icelandic School of Art and Crafts, graduating in 1991. In parallel with his art, he has designed sets for theaters, exhibitions for museums and institutions, as well as teaching art. He was the artistic director and ran the Skúrinn Cultural Center from 2012 to 2014. Finnur Arnar's works are always on the border of nature, humanity and culture - they are reflections on the smallness of man in relation to larger and stronger forces and how that fact changes our perception of our own existence.

Undraland is a project dedicated to the history of Ásmundarsafn. It was the home and studio of sculptor Ásmundur Sveinsson (1893-1982), which he designed himself and built between 1942-1950. The house was next to a farmhouse called Undraland (Wonderland). Ásmundur named the house and his works after him to the city of Reykjavík, and a museum dedicated to his memory was established there in 1983. During the four decades that the artist worked in the house, it was a venue for fertile artistic creation. Throughout 2025, artists have been offered facilities in the house to work on their own works in progress or any kind of process, and in 2026, Finnur Arnar will step on the platform as the sixth artist with a work in progress in Ásmundarsafn.

The work is called Judgment and is about being this male animal but also about being condemned to be an artist.

"I live in a tent inside the museum, day and night, a bit like an animal. Up in the dome, I'm painting a "dome," a kind of church ceiling like in old cathedrals."

"I am no Michelangelo and not a painter, but he was not one either, so my judgment will not be a fresco but more of a mixed media. The church had church ceilings painted to tell people how they should behave and how they would be punished if they did not obey. Few people could read at that time, which is why they resorted to imagery."

Finnur Arnar Arnarsson, artist.

Eight exhibitions
Three locations: One ticket!

Exhibitions

Erró: Remix

Erró: Remix

D53 Kristín Helga Ríkharðsdóttir: The Smooth Operator

D53 Kristín Helga Ríkharðsdóttir: The Smooth Operator

Kjarval and the 20th Century: When Modernity Anchored

Kjarval and the 20th Century: When Modernity Anchored

Ásmundur Sveinsson: Wonderland

Ásmundur Sveinsson: Wonderland

Katrín Elvarsdóttir: A Botanical Future

Katrín Elvarsdóttir: A Botanical Future

s. ap architects: Lavaforming

s. ap architects: Lavaforming

Wonderland: Work in progress with Finnur Arnar

Wonderland: Work in progress with Finnur Arnar

Events

Locations

Ásmundarsafn

Hafnarhús

Kjarvalsstaðir

Eight exhi­bitions Three locati­ons: One ticket!

Exhibitions

Erró: Remix

Erró: Remix

D53 Kristín Helga Ríkharðsdóttir: The Smooth Operator

D53 Kristín Helga Ríkharðsdóttir: The Smooth Operator

Kjarval and the 20th Century: When Modernity Anchored

Kjarval and the 20th Century: When Modernity Anchored

Ásmundur Sveinsson: Wonderland

Ásmundur Sveinsson: Wonderland

Katrín Elvarsdóttir: A Botanical Future

Katrín Elvarsdóttir: A Botanical Future

s. ap architects: Lavaforming

s. ap architects: Lavaforming

Wonderland: Work in progress with Finnur Arnar

Wonderland: Work in progress with Finnur Arnar

Events

Locations

Ásmundarsafn

Hafnarhús

Kjarvalsstaðir

Eight exhibitions
Three locations: One ticket!